3D Work
Contributions to projects in the realm of 3D
Forte is a videogame currently in production, directed by Rin Torshina, where you play as a little kid inside a pillow fort who needs to assemble a band with his toys and orchestrate a symphony… all in an effort to muffle his parents’ marriage ending argument in the background. As the game goes on, the kid has to choose between facing reality and staying in his imaginary fantasy, both having their own detriments.
In this game I am responsible for creating most of the visual element: assets, animations, environment.
Forte
2025 (still in production)
Rin’s early sketches:
Creating the fort:
Creating the toys:
Rin’s character designs:
More progress to be shown
Realm Wanderers: The Kingdom of Malvara
2025
Malvara is a concept for a venue, designed by Elizaveta Ivanova, to promote socialisation and teamwork through a blend of escape room elements and a quest driven adventure. My contribution to this project was the designing of complex custom 3D assets that would contribute to the immersive environment.
Picking up the “four elements” theme in the narrative of the room’s quest, I explored the creation of procedural materials in the 3D models I produced to add some visual storytelling to the evironment, even though these materials weren’t used in the final piece.
Elizaveta’s early concept art:
Water Element: The Ice Throne
The model used in the final piece:
Earth Element: Rusty Lamp
The model used in the final piece:
Fire element: The Dragon Fireplace
The model used in the final piece:
Air Element: Marble Pillar
The model used in the final piece:
2024
Sculpts
A series of sculpts done as small personal projects.
Zelda (based on a 2D concept by Bran Sculpts), 2024
Male Head practice sculpt, 2024
Man of Steel, 2024
The Attack Titan, 2024
Rue Bennett, 2024
Calvin and Hobbes, 2024
Hand holding skull, 2024
Walter White, 2024
2-D, 2024
A stop motion short directed by Kheyal Roy-Meighoo in our Masters course. In this collaborative project I was tasked with modeling character pieces to be 3D printed for animation-ready use: head pieces, upper and lower face pieces, and hands.
Due to the connective nature of these pieces, I worked closely with the director and the university’s printing department to figure out the most efficient ways to connect them with magnet placement, through trial and error and several print tests. We juggled simplicity, durability and usability, while at the same time we figured out the project’s 3D artstyle when creating the different character expressions.
100 pieces were printed for use in the animation.
(G)host Country
2024
Main Character:
Side Characters:
No Magic Required
2024
This project was a collaboration with Shana Randiatmoko for her Final Major project, where I was tasked to model one of the characters for her to texture and rig.
Blocking out / Modeling:
Retopology:
Final result:
This was a group project for my final undergraduate year with Flick Broadley and Oliver Wesson. My main roles were 3D modeling, and my secondary roles were texturing and animation.
2022
Out in the Fells
Contribution reel:
This animation was a group project done for my university course, where we worked to produce an advert for the Bourne Water Dragons, a comunity of cancer survivors in Bournemouth, England. Throughout the project I assumed a variety of roles, ranging from prepoduction to modeling and animating.
